Now that the film is in wide release, I can ignore the advance-screening plea from Zack Snyder not to spoil anything. So be warned, SPOILERS FOLLOW.
As I mentioned before, I went into BvS with super low expectations and liked it pretty well. For me it boiled down to something like Thor: Dark World or Avengers: AoU—not bad to watch once or twice but generally lackluster and forgettable. I also didn’t find it as grim and gritty as everyone is complaining. I mean, yeah, it’s dark but no more than roughly half of everything else that’s come out in cinema over the last decade, including the Nolan trilogy that everyone seems to love (I don’t find it holds up as much more than “meh”).
Biggest misses for me:
1) Batman just gave up his fight because Superman’s mom happened to have the same name?! For the love of Martha, that was some seriously weak writing.
2) Superman’s death lacked ‘gravity’—I don’t think anyone in our screening believed for one minute that he would stay dead. Moreover, I don’t think anyone would have bought into it even had we not all experienced the media hoopla that surrounded the event when it happened in the comics back in the early ’90s. It felt so very emotionally empty and not the least bit cliffhanger-y, which I found incredibly disappointing.
2b) Speaking of media hoopla…SO. MANY. CAMEOS. (I know I already mentioned this before, but it really bothered me.)
3) Lex creating Doomsday inside the Kryptonian ship. I thought it was clever that he cut off Zod’s fingerprints to gain access but otherwise hated the entire scene.
3b) Doomsday was like a bad mashup of Hulk, every Spider-Man movie villain and Hunger Games mutts.
4) Teasers for Flash, Aquaman and Cyborg lacked excitement and depth.
5) Amy Adams. Always Amy Adams.
6) Underutilized Wonder Woman.
I’ll reiterate that I’m genuinely excited for the standalone WW movie now. I wish she hadn’t looked so much like part of the Kardashian klan but Gadot played the fight scenes like she could be a legitimately strong warrior. Expectations shattered.
Still, my favorite part of the movie was spotting TK-421 on Lex Luthor’s prison uniform.
ALSO, I have a BvS/Walking Dead fan theory!
Maggie is Bruce Wayne’s mom, which means that TWD clearly happened in the past…and Maggie either cheated on Glenn or lost that baby and had another later with Mr. Wayne. The “metahumans” are clearly an evolutionary result of surviving the zombie apocalypse. Tell me your mind isn’t blown right now.
I’m still here, believe it or not! Since last post, I’ve made a geeky pilgrimage to San Francisco (pics and details coming soon, I promise), seen TFA a few more times—totaled 8 at the theater—and worked like a fool. The working part is more exhausting than awesome but it helps pay for toys, and we all know you can never have too many toys.
After posting some pics of myself as a little Superman-loving lass, I won tickets to last night’s advance screening of Batman v Superman: Dawn of Justice. Side note: If I’m ever tasked with writing something that requires a certain character count, I will be sure to make this film the topic because writing the title alone should satisfy most requirements.
“So how was it?” you ask. Weeeeeelllll…
As someone who loved Man of Steel, I liked it fairly well. There are a couple of really good moments that are balanced by some really cringe-worthy ones, which are all outnumbered by a lot of “just a’ight.”
I’m not in the business of spoilers, and not just because there was a Zack Snyder video plea before the movie started, so I won’t give away any secrets. Except that Batman’s parents die. Oops, surprise!
Okay, one teeny-tiny, not-really spoiler: there’s a fun Star Wars Easter egg. I spotted it straight away and leaned over in the middle of the movie to quote a relevant line. I suspect a lot of fans will pick up on it; comment below if you want a hint.
People who have already decided to hate Affleck as Batman won’t be swayed, though I thought he was a suitable host for a character who wasn’t supposed to be altogether likable in this story. His acting wasn’t especially nuanced, though I’m not sure whether that was due to him or the writing. He’s easily as good as, if not better than, either Kilmer or Clooney.
Wonder Woman was not on the list of things I excitedly anticipated for this film, particularly after I learned of Gal Gadot’s casting. I was, to that end, pleasantly surprised! The characterization is far more interesting—and less exploitative—than I expected. I might actually kinda sorta be looking forward to her standalone film now <gasp!>.
Surprisingly, the most eye-rolls of the night came not with Jesse Eisenberg but Amy Adams. Sure, Eisenberg was the same smarmy guy he is in every role (and maybe in real life?), but you saw that one coming from a mile away.
I am decidedly not a fan of Adams’ interpretation of Lois Lane, as you might remember from my reviews of Man of Steel. While she and Henry Cavill demonstrated a bit better chemistry this time around, particularly at the beginning of the film, I can’t help but see her as an annoying hindrance. Maybe that, too, is a consequence of the character more than the actor…it’s not like Margot Kidder wasn’t tiresome…or maybe it would be less frustrating with someone else filling the role. It seems we’ll never know.
To be fair, Adams is unseated by Doomsday as my least favorite character in this movie. That’s not saying much, is it?!
If you loathed the Sears and iHop tie-ins from Man of Steel, be prepared for media personality overload on this one. I understand that Snyder et al. are trying to make us believe that Superman’s universe is one in the same with ours. For me, showing endless cameos of recognizable pundits had the opposite effect, ripping me out of my suspension of disbelief.
Stylistically, this is a pretty slick movie. The fight scenes, in particular, have a more comic-book feel than did Man of Steel; I actually felt like it veered into Amazing Spider-Man territory at times. That’s not a complaint, somehow. There are, however, a lot of flashbacks and dream sequences that tend to feel disjointed. The one thing that tied everything together was Hans Zimmer’s brilliant score with themes from Man of Steel beautifully woven throughout. I’ve grown to appreciate the former as one of the better contemporary theatrical scores and this built on it in intriguing ways. Along with the hopeful and heart-wrenching strains, there was an inescapable undercurrent of tension and conflict. Magnifique!
Overall, this girl feels that Batman v Superman lands squarely in the middle of the pack for modern superhero flicks. It’s generally enjoyable if forgettable, but worth seeing on the big screen if you’re at all inclined to see it.
My last post was sentimental, so here’s the nitty gritty. SPOILERS FOLLOW. Proceed at your own risk. And for the love of Luke, go see the movie already!
First things first: I am historically an Imperial Apologist and Sith Sympathizer, but I’ll be danged if Rey, Finn and BB-8 (and to a lesser extent Poe) aren’t wooing me over to the good side. Like Kylo Ren, I’m being torn apart, tempted by the light.
Daisy Ridley, John Boyega and Oscar Isaac are so darn charming! And BB-8—contrary to my initial thoughts from way back in November 2014 when the very first teaser trailer released—is utterly adorable. I hate that I love them so much.
Oh, and I 100% support the idea of Rey being Luke’s daughter. At this point, I will be terribly disappointed if she isn’t. Luke’s lightsaber (from his father before him) calls to her. She’s a fine pilot with mechanical aptitude. She beckons the saber to her during the snowy duel at Starkiller Base, to the strains of the Luke/Jedi theme music, which made me openly weep. R2-D2 clearly reactivates when she comes on the Resistance base [yes, I know JJ said it was because BB-8 woke him up, but he also said that Benedict Cumberbatch absolutely was not Khan so I don’t believe anything he says that could potentially reveal a spoiler]. And, most importantly, Luke himself gets a little bleary-eyed when he sees her at the end*. Though I do have a love/hate with that ending. I wish the movie was more self-contained rather than a near-literal cliffhanger ending. I do, however, love that we didn’t actually see Luke until the end. So many feels!
*I hypothesize he thought her dead along with his wife and the rest of his Jedi academy. My dearest thinks that Kylo Ren (Rey’s cousin) spared her life and dropped her off on Jakku. I’ll add to his theory and suggest there was probably some sort of Force memory-wipe involved such that she doesn’t remember him.
As for Kylo Ren, I was pleasantly surprised with him. The physical manifestations of his instability with regards to the janky lightsaber and temper tantrums…brilliant! I also love that he’s struggling to fully embrace the Dark Side; it makes him so much more dimensional than your everyday villain. Do wish he would’ve kept his helmet on longer—a big reveal on the bridge with Han would’ve been a nice touch. And holy tauntauns, I want his hair!
Speaking of the son of Solo, I’m curious what you good people think about a particular line when he’s interrogating Rey: “Don’t be afraid, I feel it too.” Adam Driver delivers it in a very nuanced, compelling way and I’m not quite sure what to make of it. In fact, I think that entire scene works very well, save for the quasi-rapey “I can take whatever I want” bit.
Apart from Kylo Ren, I was rather disappointed with the First Order. I had HUGE love for Captain Phasma going into this, and I left feeling deflated. I don’t buy that the character would’ve just complied with Finn/Han/Chewie’s demands without putting up a fight [this is the part of the show where people write in the comments about how she had an angry Wookiee with a crossbow staring her down].
They sibling-rivalry dynamic between Hux and Kylo Ren leaves me wanting more information about the structure of the First Order. Did they both join ranks about the same time? It seems, of course, that Supreme Leader Snoke is in the position once occupied by Emperor Palpatine but we know nothing else about him. I side with those who think Supreme Leader Snoke is really Darth Plagueis. In fact, I’ll be rather disappointed if we don’t learn that he cheated death at the hands of Palpatine then pulled all of the subsequent puppet strings.
With regards to storytelling, it didn’t hit all of the beats I expected or hoped. The fact that it parallels Episode IV doesn’t bother me so much as the fact that it feels like the lazy version of it. Whereas plans were carefully stolen—huzzah, Rogue One!—and analyzed to identify the first Death Star’s weakness, Starkiller Base was surveyed for just a couple of minutes and then off they went. It all felt overly contrived. Moreover, the destruction of the Republic planets had no emotional weight, as we knew nothing of them. At least we felt Leia’s emotion when Alderaan bit the dust.
I was also a little bummed that the John Williams score didn’t hold more stirring treasures than it did. Rey’s theme stands apart, as does Kylo Ren’s, but it’s otherwise pretty forgettable. And while I initially hated the song from Maz Kanata’s watering hole (composed by Lin-Manuel Miranda), I was bummed when it didn’t show up on the soundtrack. It has grown on me in ways I would rather pretend didn’t exist.
Maz Kanata herself wins a spot on my “likes” list for the film. During the course of production, we were told only that the lovely Lupita Nyong’o was performing a motion-capture creature; I sensed a disturbance in the force. When rumored concept art surfaced, I was sure it was bad news. When the movie released, it was as if the skies opened and we were granted a gift. Maz is wonderful! She’s one of the better CG characters I can recall seeing, matching up to the likes of Groot or Rocket Raccoon. To top it off, her personality is affable and her wisdom hearkens back to the Yoda of yesteryear rather than the obnoxious prequel Yoda.
Something wholly unrelated that bothered me ever so slightly is Finn’s status within the Stormtrooper ranks. At the beginning of the film, we’re lead to believe the troops on Jakku are an elite squad. Later, however, Finn says that he worked in sanitation and defected on his first mission. Doesn’t add up.
The opening scene between Poe and Max Von Sydow felt like a missed opportunity, too. Title crawl reference an old ally, so I assumed it would be someone we recognized (if only by name). Alas, just a random old guy. Of all places, that felt like a good time to throw in some fan service.
Another missed opportunity…in fact, one that I believe should have been wholly scrapped, was the Han scene with the Guavian Death Squad, Kanjiklub and rathtars. It was so obvious it had been considerably chopped down for time that it should’ve just gone away altogether. It was the one scene where I felt Harrison Ford didn’t deliver, and I can’t say I blame him since it was so silly. The only redeeming moment was Rey closing the bay doors on the monster that held Finn and then her response of “that was lucky” when he told her about the apparent miracle. Okay, the moment where Chewie agreed that Han had let them down on more than one occasion was pretty fun, too.
Chewie was a far better addition to this film than any prior. In fact, this was probably the first time I felt any real affinity for him [ducks to avoid flying bottles and tomatoes]. The “You must be very brave” scene with the Resistance-base medic checking his arm cracked me up. The dejarik/chess game felt a bit forced (ha!), though I did dig Chewie’s reaction to it. I also enjoyed seeing the crossbow get some love. And the way he hugged Leia…awwwww.
Dear, dear Leia. Carrie Fisher is a galactic gem, and I was glad to see her back in the sass. Her role in the film, though, felt like it was written a bit flat. And that “fashionable gas-station attendant” outfit, oy! I wouldn’t trade her for all of the Meryl Streeps in the world, though.
So I guess that kind of sums up my thought process…though there are roughly a billion other opinions and related musings that I haven’t managed to dig out of my brain yet. What say you? Comment below & let’s discuss!
If you missed the premiere of FOX’s Gotham, they’re airing an encore tonight (Friday). Or you could just read what I think of it and save yourself the hassle.
Love and Hate are not opposites. Love and Indifference are.
Love and Hate, by their very nature, both exist on and elicit some degree of passion. Indifference is merely a shrug and a “meh.”
I’m just north of indifference after Gotham’s first outing, though there are a few things keeping me tethered to the idea of testing the waters again next week.
The first of which is not morbid curiosity—though there’s a healthy enough dose of that—but rather an inexplicable attachment to a couple of characters. The kid who plays Bruce Wayne displays a compelling range of emotion, and I rather enjoyed the little glimpses of his life at Wayne Manor after his parents’ death. The OC guy, now pre-Commissioner Gordon, manages to be quite likable without much evident charisma. In less than a hour, though, we see him adapting to his situation, going from a straight-laced noob to a calculating, latent dissenter. Gordon doesn’t grab your attention by having a big, boisterous personality or even by being the relatable ‘every man’ in a world of crazies; instead, his likability is almost completely fueled by his actions, which subtly demonstrate that we’re watching a multidimensional character who could have a legitimately interesting arc ahead.
As for the villains…I really like the casting for Oswald Cobblepot (Penguin). He’s sniveling and skeevy and kinda perfect, but his presence felt ham-handed. To that point, I found just one placement particularly intriguing: Edward Nygma (who we know will eventually be the Riddler) as a forensic specialist for the Gotham City Police Department. His position and delivery felt like that of a playful yet socially awkward intellectual and less like fan-service.
My biggest complaint* about Gotham thus far is that the creators obviously wanted to get the most bang for their buck with the first episode. Consequently, they made their universe far too small far too quickly with far too much explication. With so many current and future villains shoehorned into 40-some minutes, it all felt overly contrived. Every bad guy doesn’t need to be in every episode. Every bad guy doesn’t need to be in cahoots with all of the other bad guys. And most importantly, we the audience do not need to be told so explicitly who everyone is. Let the casual fans create theories about interconnectness while the die-hards discover how established storylines are modified and portrayed. A gradual, captivating narrative with a satisfying reveal can work for both avid and uninformed Batfans.
It’s not without promise; in fact, it’s possible that Gotham could hit its stride and ultimately be fantastic. Unfortunately, there’s an awful lot of “meh” to muddle through so soon out of the gate.
• Jada Pinkett Smith. Seriously, her character is just awful.
• Uncomfortable camera angles that get up in people’s faces as they’re running. Not flattering.
• Is Catwoman supposed to be a teenager? She’s got one of those faces that kind of looks young but kind of looks like she could be in her 40s. It’s unsettling.
• Can we cut the camp just a little bit?! While I appreciate that it’s got enough levity to keep it out of the Nolan-verse, I fear that its zany tendencies could push it into the realm of the ’90s films.
A lot of things can happen in 17 minutes. Satiating a desire to see an anticipated film is not one of those things.
I was tickled pink over nabbing passes for the advanced screening of Guardians of the Galaxy. As per usual pre-screening procedure, I arrived at the theater 90 minutes early. There were about a dozen people already in line, so I took my place and set about reading my library book. More people filed in behind me, an excited bunch eager to see Marvel’s next big thing.
After about 45 minutes, a theater employee came by to ensure we all knew the screening was only 17 minutes long. Admittedly, this came as a surprise to me. A glimpse at the GotG facebook page tells me that I’m not the only person who was misinformed. “Featuring 17 minutes of exclusive footage” apparently does not mean the same thing to me that it does to the fine folks at Disney; I thought it meant 17 minutes in addition to the feature film.
Alas, I was already invested—sore backside from sitting on concrete floor, 41 miles away from home, Severus on his way over after having left work early—there was no point in leaving without seeing something. So we stayed to watch a 17-minute piece of IMAX-y brilliance.
Okay, maybe ‘brilliance’ is a bit strong but it’s an absolute blast!
The majority of our viewing was a scene where our scoundrels bust out of prison; I’m under the assumption that this scene is early in the film, though probably not the first. We were given only the tiniest bit of background before things kicked up a notch to full-on action. And you know what? It really works. By sheer virtue of the characters’ interactions with one another, you fall in love with them. Minimal groundwork on how they each found themselves in said situation could be beneficial, I guess, but I’d be perfectly content if it all just started there.
My early assessment is that Guardians manages the fine line of being funny without straying into silly territory. Or at least not detrimentally so. I mean, yeah, a CG raccoon and his sidekick (who happens to be a tree) steal the show. But the fact that they’re CG doesn’t seem to hinder things. In addition to being adorable, Rocket is clearly the brains of the operation; Groot is both brawn and heart. Like Gamora, Drax and Star-Lord, they’re all just there being quippy, likable scalawags.
If the rest of the movie is as good as what I saw last night, this one is golden. Absolutely can’t wait for to see the rest!!!